In between teaching Bethesda about seven-digit subtractions and Mayan art this afternoon, I pulled on a frock and applied mascara and lip gloss. We then had a lot of fun taking pictures. (Bethesda loves photography, and has been practising making stop-motion films and documentaries.) This is one of the resulting shots, and – somewhat aptly – I’ve decided to run it as my author shot in Mama: Love, Motherhood and Revolution. The credit? All hers.
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart
i carry your heart(i carry it in my heart)
- e. e. cummings
Pornography has not only changed the way we relate to each other, but the female paradigm. These days, you can’t turn around without knocking into a brace of female celebrities with their secondary sexual characteristics hanging out. They legitimise the nudity by working only with the photographic elite – Steven Klein, Terry Richardson, Ellen von Unwerth and so on – as if that made any difference. There is an element of apology involved in this nudity, and that apology is now expected. Nudity is the new atonement for female achievement. In some cases, the nudity is in itself the achievement. As Kim Kardashian recently explained, “When someone asks me, ‘What do you do?’, under my breath I want to say, ‘Ask my fucking bank account what I do.’”
Here is Kardashian, the 34-year-old mother of one, showing us what it is she does:
Here is Madonna, the mother of four, at the age of 56 in Interview:
And this is Paz de la Huerta, aged 30, in Love Cat Magazine (and others):
The message is clear: debasement – and the trivialising of intimacy is debasement – is now de rigueur for women in the public eye, lest they find themselves charged with cultural irrelevance.
This is Leora Tanenbaum, whom I like a lot:
“Motherhood had long been the central feature of normative femininity, according to Bartky, but in the 1980s, when she wrote her analysis, she argued that motherhood had given way to the sexualized body as that which defines femininity. Three decades later, the self-regulation of women’s bodies has become truly oppressive in the mirrored hallways of social media. Today, the aesthetic of pornography determines the ideal of sexiness; achieving a sexy appearance involves mimicking the grooming habits of women who work in pornography. Women involved in sex work have become mainstream stars, even role models.
“When Jenna Jameson promoted her book ‘How to Make Love Like a Porn Star’, thirteen-year-old girls came to readings to tell her she was their role model. Although Jameson’s book relates a story of resilience—Jameson overcame rape, drug abuse, and alcoholism to become hugely successful in the adult film industry—her teenage fans seemed to have overlooked, or been unaware of, the book’s message. Jameson told the Los Angeles Times she was bothered by the fact that her young fans looked up to her as a porn star and not as a three-dimensional person. When Tracy Quan, a prostitute who also wrote a book, shared a meet the author event at a Barnes & Noble with Chief Justice William Rehnquist, she told the New York Times, ‘If that’s not being part of the Establishment, I don’t know what is.’
“Since so many heterosexual boys and men fantasize about women who look like Jameson and Quan, many girls and women come to believe that they should look like Jameson and Quan themselves. Jennifer Keishin Armstrong and Heather Wood Rudúlph, the authors of the book ‘Sexy Feminism’, point out that because of pornography, ‘huge breasts, platinum hair, and hairless vaginas seem standard,’ and with the popularity of so-called Brazilian bikini waxes, it is now ‘a routine occurrence to pick your legs up over your head, approaching yoga’s plow position, and/or turn over on your side and spread your cheeks for the nice lady making you pretty.’
“To be sure, bikini line maintenance is not necessarily a form of pornographic grooming. Many women want to wear a bathing suit in public without displaying errant pubic hairs, and a normal bikini wax, which strips away the hairs at the top of the inner thighs, is the least uncomfortable method of removing those pesky hairs. Brazilian waxes are different not in degree but in kind. In a Brazilian, every single pubic hair is ripped out. Hairlessness is popular because porn stars are hairless; many ordinary women and men associate sexiness with hairlessness. As pornography has gone mainstream, so has the porn aesthetic.”
“Your hand and your mouth agreed many years ago that, as far as chocolate is concerned, there is no need to involve your brain.”
― Dave Barry
I can’t eat wheat or chocolate any more, but couldn’t care less about the wheat; it’s the chocolate that gets me. There are days I buy chocolates for Bethesda just so I can inhale the fragrance. I love to make her chocolate and pear porridge for the same reason. Similarly, I love to bake her rich chocolate cakes, if with slightly different spins. Rum and chocolate. White chocolate and raspberries (fresh, plump). Dark chocolate and dried fig. Chilli and chocolate. Rich milky chocolate. The word itself is so ridiculously seductive. Schokolade. Cioccolata. Chocolat.
This weekend, I had the excuse of a guest. I never have time for guests – my life at the moment is a maelstrom – but this guest was imported, and she had urgent things to say. So I baked her rich chocolate wholewheat cupcakes with vanilla buttercream icing sprinkled with shredded coconut. Here the oven-hot cupcakes are cooling beneath my pretty Villeroy & Boch flycovers.
Wholewheat flour never makes for airy cakes, but the flavour and the texture are so pleasing, particularly to a child. And then there’s this: it’s good for them. Home Brand will do.
I fed Bethesda a cupcake and asked her for the score. “Mama,” she said, “this one is a billion out of ten.” (Her endorsement assumes even greater gravitas when the fact that the icing had not been applied is taken into account.) Bethesda ate the thing so quickly that it almost burned her tongue. Within an hour, she had eaten five. (She takes after her mother, you understand.)
The secret ingredient: Nutiva Coconut Manna. It blends like solidified oil – chunky, white – giving a significance to the cupcakes they may otherwise not have had. I slowly creamed it with the butter before adding the sugar, until the batter assumed a gorgeously fat sheen. It dripped like liquid silk from the spatula. Bethesda stole a spoonful when I wasn’t looking.
Once the cupcakes had cooled, I packed them in the fridge for a few hours until they were ready to ice. I made a rich vanilla buttercream icing – just a drop of natural yellow food colouring (additives are the devil) – and added the shredded coconut (fresh would have been better, but c’est la vie). And then I refrigerated them for a few hours. It was a ridiculously hot day.
I took the cupcakes out of the fridge five or so minutes before my friend was due. Bethesda ate another two. I stood and stared at them, remembering.
As a child, I restlessly lusted after the icing-thick cupcakes friends had in stacks at their birthday parties – lushly buttery and sweet, nowhere near as luxurious as the cupcakes I now bake Bethesda but still very good. My mother, never one for expanding her culinary repertoire, would not bake cakes. Northern Italians are not big on cake, which is why dessert menus in Northern Italian restaurants are so uninspiring. Tiramisu, maybe. Boring almond breads. Panna cotta, which I like. But nothing like the intense pleasure of a freshly-baked cake with creamy icing.
Surprisingly, vegan cakes are insanely good, their bases made from coconut and cashews, their fillings rich with agave, fruit pulps and fresh berries. But I still love the traditional cupcake best.
I picked white roses from the garden – my simple $15 iceberg is now the size of a small tree, and throws forth hundreds of blooms every summer and autumn – and unfolded a lovely Ralph Lauren tablecloth I had run through with rose-coloured dye. Bethesda set the table. I brewed vanilla tea. My friend was on time, and amused to see that she and Bethesda were both wearing leopardskin scarves, if to different impact: my friend in urban black, Bethesda in jeans and a loose white t. Bethesda is going through an Audrey Hepburn phase, all big black sunglasses and headscarves and ballet flats and with her long and slender legs in rolled-up jeans. (In this respect, she does not take after her mother. My legs rightly belong on a piano.)
My friend was shocked by the cupcakes. “I’ll eat one but I really shouldn’t,” she said. Her terrible boyfriend, who in his misspent youth seduced scores of models and gap-thighed It Girls, had told her that she must stop eating chocolate. “I dated the daughter of a movie star,” the sadist said, “and she was hot.” My friend made some kind of rejoinder about the movie star’s daughter being “as dumb as a Coca Cola can”, but his comment hurt: she ate her cupcake very, very slowly, looking very, very guilty. “I can’t eat chocolate any more,” she sadly said. An intellectually rapacious woman, she is also very much in love. I wanted to advise her to return her boyfriend to the store for a refund, if only because I could never love a man who doesn’t love food in all its forms – whether a chocolate and coconut cupcake with rich vanilla buttercream icing, or the silk of a full female thigh – but I relented to the inevitable. I would simply have to find another friend through whom I can vicariously luxuriate in chocolate.
Tonight I can write the saddest lines.
Write, for example,’The night is shattered
and the blue stars shiver in the distance.’
The night wind revolves in the sky and sings.
- Pablo Neruda
One of the people who helped shape my life died today. I only just replaced the receiver after crying on the phone for an hour with her husband of 34 years. They were ridiculous together. I’ve never known a love like it. He was everything to her: sun, moon, stars. She fell in love with him after moving to Norfolk Island, a place she mostly hated. He was working on her house. She saw him with his shirt off and that was it. She learned to love Norfolk Island because he loved it; she would love everything he loved. In the wedding photographs, she beamed and beamed.
I always told her that her face was like a beautiful currant bun.
Ric was patient with her through a decade of unimaginable illness – blindness, deafness, strokes – caring for her with tenderness and devotion to the end.
We used to play game after game of Scrabble together, each game fiercer and more laced with expletives than the last. Ric always won. He’d pull out seven tiles: a seven-letter word. He’d pull out another seven tiles: another seven-letter word.
Words like uxorious and abalone, boozily and defused.
“You bastard,” Colleen would hiss. And to me: “I hate his GUTS.”
And Ric would glance at me and then at her and then he would begin to laugh – a long, slow, deep, infectious rumble that built up until we all began to giggle.
Goodbye, old friend.
Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse.
The stockings were hung by the chimney with care,
In hopes that St Nicholas soon would be there …
When Bethesda wondered during a telephone call if she would see Santa in the living room again this year, her father, who no longer lives with us, replied, “You probably won’t, darling.”
Upset, Bethesda turned to me. “Santa doesn’t exist! I think it was Dad all along!”
I told her that there was one way to find out: to wait and see whether Santa would turn up.
“But you mustn’t get out of bed too quickly after he leaves, lest he never come back,” I said.
And so she waited, but no Santa appeared.
“Don’t be sad, bunny,” I said. “Even if it was Daddy, the Christmas spirit was alive in him.”
But then, at 12 a.m., there was the clatter of 12cm wedges on the bathroom tiles and the snorting resulting from the effort of trying not to suffocate, both under a heavy nylon beard and in a vast tomato red synthetic felt eBay Santa suit stuffed with feather cushions in 30 degree heat. (If you look at Santa’s spectacles in the pictures, you will see that they are steaming up.)
I suspect that Santa has an easier time of it in the Northern Hemisphere.
Subdued, that tinkle of bells stolen from an eight-year-old child’s toybox.
Santa – for it was the right jolly old Christmas elf himself! – wove his way into Bethesda’s room, trying not to trip over his red trousers in the wedges he couldn’t see because of his belly.
Ready for his big moment, he suddenly realised that as there was no moon out, he was completely invisible. So, holding his enormous feather-stuffed belly, he lumbered out of the bedroom as quickly as he could and into the kitchen, where he lit a candle (for Santa is, above all, resourceful). Praying that his nylon beard would not catch fire, he gingerly placed the candle on Bethesda’s desk, before crying, “HO! HO!” and, “MERRY CHRISTMAS!” in the deepest voice he could muster (the end effect being something like Benicio del Toro the day after the Oscars).
In the candlelight, Bethesda stirred, paled, and – literally – gasped.
Her disorientation was adorable.
“Oh! Oh! Oh!” she managed, causing Santa to worry that she would either:
a) have a panic attack, or,
b) be scarred for life, suffering nightmares about an obese geriatric stranger in a red suit suddenly appearing in her bedroom with a candle.
Santa was also worried that his voice would give him away, and so muttered, “HO! HO!” again, if with a little less alacrity, before lumbering out into the living room and changing at a speed generally known only to Peregrine Falcons. He stuffed the evidence under a mohair throw on the sofa and, just as rapidly, pulled on a long white skirt and pink camisole (Andrej Pejic Santa).
I crashed into Bethesda in the corridor.
“What’s going on?” I asked, wiping the perspiration from my face and throat. My hair was everywhere. “I just woke up – I’d fallen asleep reading a book, and heard a noise.”
Disorientated, Bethesda addressed me with glowing eyes. “I SAW SANTA!”
I slapped my head. “I THOUGHT I heard a ‘ho, ho, ho’ and saw a flash leaving your room!”
Her words fell over each other. “I know it wasn’t you, because you only missed him by a second! And he was really, really, really fat, besides, and had a HUGE beard and a long curling moustache, like Shifu in Kung Fu Panda, and his hair wasn’t long and dark. And he didn’t sound like you at all – he had a really, really deep, gravelly voice.”
“Yes! Like this [she made a sound like water flowing down a drain]. And then he took all these presents out from under his coat, and then I saw him turn into a pin prick of light and squeeze through the flyscreen, and then he turned into Santa again and leap up onto the roof like a superhero – mama, you should have seen him: he almost fell off! But I didn’t see the reindeer.”
Confused by the second half of her story, I said, “Maybe they flew off in a different direction?”
Bethesda nodded at this, delirious. “Oh, mama,” she cried, “SANTA IS REAL!”
David Mackay Harrison is a gifted local artist with a gallery by the beach.
The weather was uncertain, but Bethesda and I wanted to see the latest exhibition.
This faun is nestled in one of the perimeter walls. I used to talk to Bethesda about it when she was a toddler. Sometimes we’d sit together on the grass beneath it and play with inverted hibiscus flowers, pretending they were girls in ballgowns, dancing.
This sculpture is one of my favourites. I imagine her shielding herself from the lashing rains.
The music of the fountain on the terrace competes with that of the wild surf across the road.
This ball reminds me of the Palantír in Lord of the Rings. In it, I expect to see the Eye of Sauron.
Inside, preparations for a party. I never drink alcohol. Cold milk is more my thing.
The first painting I noticed: Joanna Burgler‘s “Buttercup Dairy”. Detail is Joanna’s thing.
“Coiled Ropes,” however, was our favourite Burgler. Bethesda said that she felt that she could sink her hand into the painting and abrade it against the ropes’ tough fibres.
This is “Rebecca”, one of David’s sensual sculptures. I would find this too distracting around the house; the breasts demand too much attention.
“Nadine” has an entirely different impact.
David’s nod to Degas, “Juliette”, is all about the waist and thighs. The curve is almost musical.
This is “Tanya”. Again, the breasts hang like ripe fruit.
I was transfixed by French-Canadian artist Marcel Desbiens’ dreamscapes.
The petals of a flower, falling.
His work is simply rapturous.
When Bethesda saw David’s “Joseph and Lita”, she deeply blushed. “Don’t photograph THAT one, mama!” she said, turning away.
Robert Simpson‘s “White Ascension” carried its own glow.
This is South African artist Mel Brigg’s resonant and strangely delicate “Empty Bowl”.
In contrast, Susan Yacoub’s jewellery: as bright and textured as a reef.
A dramatic Susan Y necklace, made for a dramatic entrance … or exit.
David’s wife posed for the erotic “Kimberley”.
Here she is in black and smiling with a friend.
I love this picture of Bethesda. If I recall, she’d just spied a platter of grapes.
The music, too, was beautiful.
I gnawed on watermelon and celery. Not on the menu, but on a tray with canapes.
Of course, Bethesda wanted to sit on the two gigantic chairs at the gallery’s entrance.
And this is me, under my vented tartan golfing umbrella, making my way home with my girl-child in the rain. No collagen in the lips, just a weird fish-eye effect created by the angle.
Monkey and I packed our umbrella and stainless steel water bottle in its neoprene Ed Hardy tote, and strolled into town. The weather was insanely beautiful.
My darling girl had been looking forward to the Prawn Festival for months.
We passed her favourite stairs. As a big toddler, she would invariably ask me to stop so she could run up and down them twenty times. This after a day out. And I would watch her, awed.
Reaching the bridge, we stopped to look out over the water.
We arrived to the most glorious array of food smells – prawn dumplings, prawns marinated in garlic, Thai prawns with noodles, prawn rice paper rolls and gourmet chips, fresh prawns …
This handsome tiger snake was part of an environmental show for children. A British friend later noted that he would make a beautiful set of boots, the blackguard.
Perfect poster art: Paul Hogan in his faraway youth.
This ride reminded me of the pivotal – and tragic – scene in Revenge of the Sith, in which Anakin Skywalker turns to the Dark Side. It’s a scene I’ve been thinking about a lot recently.
And this was the one-eyed ticket man, whose lips looked as if they had been seared by sun.
The colours of the rides were brilliant, like the colours in a dream.
I wondered what it must be like to find one’s face airbrushed onto a carnival ride. Megan Fox and Beyonce must find life very strange. Or perhaps not.
Chocolate gelato and 32 degree heat: a charmingly clownish derangement.
For the very first time, Monkey was tall enough to drive her own dodgem.
This discovery was the source of significant joy.
The experience was even better.
This ferris wheel overlooked the Richmond River and the Pacific Ocean. From July to October, we watch hundreds of whales migrating north, the mothers breaching with their calves.
The carnival workers dried their boardshorts and rash vests on the equipment.
Lake Prospect, which we passed on the long walk home. Pelicans drift here at dusk.
In the water, a leaf that looked like a heart or a butterfly.
Monkey implored me to stop so she could climb and grapple and slide in the playground.
While she played, I was riveted by the green beauty of a tree.
She then dozed on her favourite hound. (“Mama, can we stop? I want to sit on the doggies!”)
A crow took centre stage on the road, threatening mynahs.
Above us, cockatoos wheeled in the sky.
Having walked for five hours, we could barely make it home through the rainforest. The exhaustion was delicious. Sometimes life is absolutely perfect.